During the Renaissance, pink was mainly used for the flesh color of faces and hands. The pigment commonly used for this was called light cinabrese; it was a mixture of the red earth pigment called sinopia, or Venetian red, and a white pigment called Bianco San Genovese, or lime white. In his famous 15th century manual on painting, Il Libro Dell'Arte, Cennino Cennini described it this way: "This pigment is made from the loveliest and lightest sinopia that is found and is mixed and mulled with St. John’s white, as it is called in Florence; and this white is made from thoroughly white and thoroughly purified lime. And when these two pigments have been thoroughly mulled together (that is, two parts cinabrese and the third white), make little loaves of them like half walnuts and leave them to dry. When you need some, take however much of it seems appropriate. And this pigment does you great credit if you use it for painting faces, hands and nudes on walls. . . "
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